The Great Conjunction
The Request
Dearest Aquarian,
I’m feeling called to create a dream to honor The Great Conjunction and this new Aquarian world we will soon find ourselves in… and I need your help.
I’d like to collect a few threads from you, which I’ll weave and hold space for until they all wrap themselves together to form a wish of what the world could be like as a love-filled Aquarian dream. Here are the ingredients that would be so helpful: Your voice, expressing truths, threads and seeds that have lived inside of you all your life, which never seemed to fit in this world we've grown up in and which you feel will welcome in love, connection and understanding if manifested into the new world of Aquarius.
The Aquarian Voices
Anna Wind
Night Chorus Recording
Maribeth Helen
For most of my life I do feel like I've lived kind of on the outside, I've never really fit in but at the same time I felt really deeply connected to the intricate vastness of all of life. I think as a young person growing up in the world and container I grew up in, I didn't really have a language for how much I really felt and saw and what I traveled through on a daily basis being such a sensitive and aware person.
Since I was young I had a knowing and a sense that life was so much bigger than what I was being shown by the authorities in my life and I think now the word I would use for what I was feeling is spirit, or energy, and I think that if we could all come into a greater awareness of how spirit really lives here within us and within everything that is around us, we would have a much deeper reverence, respect, and reciprocal relationship with the earth and our bodies and each other, and the sky, and the ocean, and our communities. And I do think we would maybe connect with love in a much more expansive way than we've been taught to know love. So my vision for the future and for the time we're stepping into is that we can all begin to connect more deeply with this intricate and vast world of what is considered to be unseen.
Steven Springer
Chip
What is this inner creature/ storm/ feeling
which at once feels
true and misleading?
I want it gone
but before it goes, I have some questions
I’m not ready to let go but I know one day I’ll have to be.
This isn’t art, this is practice, which is art which who cares.
If something makes me feel this much
I want to listen even if I know that
by truly listening, I’ll eventually hear the words
let
it
go
and I’ll be ready. Yeah. Later.
The thing I’m currently stuck on is this:
it’s a person/ but it’s not a person.
it’s the thing in the air
around that person,
about that person,
goddamnit
it’s music. It’s my intestines,
it’s mars, moon, venus and the rest of ‘em -
it’s all the space
inside my mouth.
But even though it is associated with a person,
it’s not a person.
And now yes,
I feel I should mention
it’s procrastination indulgence obsession
dissociation avoidance and worst of all, pretending.
Oh right
also sabotage.
The thing is
don’t wait for later
don’t
wait
for
later
HI you’re right here right now hello hiiii
there’s music here
and children’s voices.
But what you feel / part of what you feel
is resistance/oh
it’s so big
I can’t see over around or through it
I feel the resistance
and it’s not making the world a better place and
or is it? Can it? experts say doubtful.
It’s in my gut, good sign!
But also inner thighs -
sounds slippery, doesn’t it.
So is that it? Just another stupid distracting fixation? Why can’t I breathe right?
It’s so big and so little / so deep and so shallow / so the same and so different
so easy
and so not.
There’s a trick, I guess it’s a good one
returning to one’s senses.
Or, if that’s triggering for you (it’s not for me)
returning to one’s surroundings.
Mindfullness.
Mind Full Ness
I get that I misspelled it
I get this isn’t profound
What is the role of romantic chemistry in ego dissolution?
I have the feeling I’m doing it wrong.
Dear Paper,
I think what I’m asking is for you to be a shitty friend.
To leap from mashed up dismemberment and inanimacy,
to show a sign
that I should run/ or jump/ or sink/ or shake
like a smaller-brained mammal might when they feel too much
or have rabies.
O Dear Trees
who have fallen so these words could be haphazardly released,
your sense of time and place,
your gross transformation
may be the best teachers at the moment.
Heather Daniels Pusey
I’ve felt deeply connected to everything from the moment I was born. But I don’t know any other way. And I hope in this new time, this new place, this new spiral, this new circle, this new turn around the wheel, this new age… I hope others can feel that connection too. I hope everyone can feel that web. The tugs on it. The whispers through it. The love within it. Sure, there’s fear and survival. There’s panic. There’s the unknown. But we’re all in it together. In our different ways, in our different realities. But we’re all in it together. Here, in this web. May we all feel deeply together, in time.
Mary Casella
This is for those who know the feeling,
that is the unbearable pang in your heart
and pit in your stomach.
Of the desire, the need, to share your world.
To let all of the joy and beauty and energy you possess Burst out and envelope another.
To share your very core and unleash
the overwhelming amount of love you have to give.
So much to give that it takes your breath away.
At times revealing itself
in uncontrollable sobs and choking breath. Too much to bear--
And although it is unbearable
We must keep our lights shining
And continue to recognize it in ourselves And in each other.
It’s far too beautiful to let it extinguish.
Music
Campfire by Alex Sommers, slowed to the pace of calm ocean waves.
Visuals
Foraged in Pexels, with two threads by Maribeth Helen.
The Weave
I offer the following thought-flow to acknowledge and foster transparency around why there is a white, hazel-eyed person featured in this piece:
The original intention:
To fabricate a sense of animism, representing many human and non-human beings interacting and living amongst one another, woven together in a way that makes each individual thread feel part of a whole.
The first step:
Because I was able to dedicate time to this piece, but not financial resources, I went about looking for ways to legally and ethically source video. I first went to my favorite platform, archive.org, but quickly realized it would not provide what I was looking for. I then came across Pexels, a website offering free hi res stock footage, and decided to move forward with what was offered there.
The search:
Early into the search I found myself at a roadblock. Most of the people in these videos were thin and commercially beautiful, which I find problematic and limiting when trying to represent diversity. Further, they tended to be masked in heavy makeup, wardrobe and behavior, which was not what I was looking for in this particular piece. After an extensive search, pairing down my terms and finding problematic aspects of the stereotypes represented within the footage, I was left with a big question, “Can I make a visual piece that accurately represents diversity without stereotypes using what is currently available in stock footage?”
A consideration:
I then went through the process of deciding whether this should be an audio-only, soundscape piece. I do feel the audio is strong enough to hold its own, but the wish to create a visual dream kept pushing me to find a way around the lack of diverse human-centered stock footage.
A decision:
I decided because the diversity I was looking for didn't seem to exist and this was a piece based around animism, that only one human needed to be included to leave room for as many non-human beings as possible. This led me to bigger questions:
“Who do you represent if you only represent one human being?”
“Though there was an open call for submissions, all the submissions are by white or white-passing people. Is it ok to use a BIPOC body to represent non BIPOC voices?”
“Should I not include humans at all?”
With each question I felt a continual ping of, “that’s not quite right,” so I came back to where I always do when I’ve been ruminating and coming up without a solution; to myself. I thought that if I was going to represent someone then it should be based around someone’s experience I know inside and out, and the only experience I know that well is my own.
The choice:
As a disabled, queer, white-passing, nonbinary person, I decided I would dedicate two visual threads to my lived experience. One would represent what makes me feel most free. The other would represent what brings me joy. As someone who navigates chronic pain, my most freeing moments are when I’m swimming. I found a piece of footage that shows a person twirling under the water, which is a particularly bright part of my swimming experiences. I also liked this clip because the body is hard to identify and not overtly sexualized or able-bodied, as so many of the other options were. The second thread was centered around joy, which comes from my sight. These large green-blue-sometimes grey orbs are what bring tremendous magic into my life and I’m deeply grateful for the sight I have. Therefore, I searched for eyes that look like my own and that brought me to the final piece featuring a white, hazel-eyed person.